| Type of Document |
Master's Thesis |
| Author |
Worsley, Gayll
|
| URN |
etd-11012003-162912 |
| Title |
Black Filmmaker's Foundation |
| Degree |
Master of Architecture |
| Department |
Architecture |
| Advisory Committee |
| Advisor Name |
Title |
| Piedmont-Palladino, Susan C. |
Committee Chair |
| Frascari, Marco |
Committee Member |
| Kagawa, Ronald M. |
Committee Member |
|
| Keywords |
- movement and memory
- cinematic experience
- time and architecture
|
| Date of Defense |
1998-03-15 |
| Availability |
unrestricted |
Abstract
Can architecture live in the passage of real time and memory? It has occured to me that movement must not be limited to action (horizontal and vertical.) For instance, the movement of people, light or objects are not the only consideration. In fact I have overlooked passive motion. Perhaps a design could link both passive and active motion as the design element. The independent African American Filmmaker creates a cinematic experience that lives in layers of time. In the end the film is sustained in the memory of the viewer.
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Approximate Download Time
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| 28.8 Modem |
56K Modem |
ISDN (64 Kb) |
ISDN (128 Kb) |
Higher-speed Access |
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abstract.pdf |
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acknowledgements.pdf |
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conclusion.pdf |
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scene1experience.pdf |
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scene1intro.pdf |
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scene2site.pdf |
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scene3day1.pdf |
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scene3day2.pdf |
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scene3day3.pdf |
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scene3intro.pdf |
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scene4intro.pdf |
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scene4night.pdf |
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scene4night2.pdf |
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scenetwo.pdf |
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tableofcontents.pdf |
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titlepage.pdf |
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vita.pdf |
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workscited.pdf |
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