ROANOKE TIMES 
                      Copyright (c) 1996, Roanoke Times

DATE: Thursday, April 11, 1996               TAG: 9604110049
SECTION: NATIONAL/INTERNATIONAL   PAGE: A-6  EDITION: METRO 
                                             TYPE: NEWS OBIT 
SOURCE: MITCHELL LANDSBERG Associated Press


CREATOR OF 'THE HOKEY POKEY' DIES

IT WAS ALL ABOUT the enduring, all-inclusive appeal of a dance intended to warm up the apres-ski crowd.

Every schoolchild in America knows the Hokey Pokey. You put your right foot in, you put your right foot out, you put your right foot in ... well, you know what it's all about.

What you might not know is who wrote the song. Larry LaPrise, aka The Hokey Pokey Man, died last week at age 83 in Boise, Idaho, after a career that brought him no fame, modest fortune, and a job with the Postal Service.

That's right. Someone actually wrote ``The Hokey Pokey.''

For many baby boomers and their children, the Hokey Pokey is simply part of the national legacy, right up there with Mother Goose and Twister.

``I just assumed it had been around forever,'' said a shocked Leyah Strauss of New York. Even before LaPrise's death, Strauss, a jeweler, had been planning to stage a mass Hokey Pokey-in at some New York landmark like Grand Central station.

The Hokey Pokey, it turns out, isn't so old after all.

LaPrise, a Detroit native whose full name was Roland Lawrence LaPrise, concocted the song along with two fellow musicians in the late 1940s for the apres-ski crowd at a nightclub in Sun Valley, Idaho. The group, the Ram Trio, recorded the song in 1949.

```The Hokey Pokey' is like a square dance, really,'' LaPrise said in 1992. ``You turn around. You shake it all about. Everyone is in a circle, and it gets them all involved.''

In 1953, bandleader Ray Anthony bought the rights and recorded ``The Hokey Pokey'' on the B-side of another novelty record, ``The Bunny Hop.''

``Everybody was doing the `Bunny Hop' before long, which meant that everybody was doing `The Hokey Pokey,''' observed LaPrise's daughter, Linda Ruby.

There followed a steady succession of recordings: Jack Johnson and the Hickory Dickory Singers, Warren Covington with the Tommy Dorsey Orchestra, Cliffie Stone, Jerry Marks, Chubby Checker, Annette Funicello, the Champs. ... In no time, the Hokey Pokey was everywhere.

Schoolyards. Brownie troop meetings. Bar mitzvahs. Weddings.

By the early 1990s, it had even turned up on a heavy metal album by the band Haunted Garage, alongside such classics as ``Party in the Graveyard'' and ``Torture Dungeon.''

Alas, the Hokey Pokey turned out to be the high-water mark of LaPrise's musical career - in fact, maybe the only water mark.

``He wrote several other songs, probably none of which you've ever heard,'' his daughter said. They included ``Sitz Mark Samba'' - ``You know, the sitz mark is the hole left in the snow after you've gotten up from falling down skiing.''

Ruby said she wasn't positive how much Ray Anthony paid for the song in 1953, ``but I know my father always said they cut a fat hog, $500.''

After the Ram Trio disbanded in the 1960s, LaPrise, by then a father of six, went to work for the post office in Ketchum. At about the same time, country star Roy Acuff's publishing company bought the rights to the Hokey Pokey.

``Roy Acuff had seen a lot of his material copied so he was very conscious about songwriters getting the credit,'' Ruby said. ``It wasn't until after dad had his family raised that he started getting royalty checks, which was a nice bonus for him.''

LaPrise later retired with his wife, Donna, to Wendell, where their daughter is a schoolteacher. He died last Thursday after a long illness.

Everybody has their own explanation for the Hokey Pokey's infectious popularity.

``The beauty of this one is there is no age barrier,'' said Steve Geyer, a DJ at parties in the Boston area. ``You get them from 3 years to 93 years. Everybody gets involved with this one.''

Jane Shattuc, a professor of mass communication at Emerson College, put it this way: ``You can see it as a childish game ... kind of a refusal of adulthood.

``But you can also see it as a celebration of taking pleasure in childhood irreverence.''

Strauss, the New York jeweler, has been busy planning a huge, public Hokey Pokey dance for sometime this spring.

``Really, what the project is about is bringing fun and laughter into everyday life,'' she explained.

Asked to explain the deeper meaning of the Hokey Pokey, she struggled for a minute and finally said: ``It's kind of symbolic of life, in a way. I mean, you put your right foot in, you put your right foot out. ... I mean, that's kind of like life, right?''


LENGTH: Medium:   91 lines
ILLUSTRATION: PHOTO:  AP file/1992. Larry LaPrise, writer of "The Hokey 

Pokey," puts his foot in at his home in Wendell, Idaho, in a 1992

file photo.

by CNB