ROANOKE TIMES
Copyright (c) 1996, Roanoke Times
DATE: Monday, April 15, 1996 TAG: 9604150079
SECTION: NATIONAL/INTERNATIONAL PAGE: A-1 EDITION: METRO
SOURCE: MITCHELL LANDSBERG ASSOCIATED PRESS
NOTE: Below
NOW THERE'S A DISPUTE about when a dancer first put his right foot in. And THAT'S what it's all about.
When 83-year-old Larry LaPrise died recently in Boise, Idaho, he was mourned as the co-creator of a distinctly American sensation: the Hokey Pokey.
As his daughter, Linda Ruby, recounted the tale, he and two fellow musicians had concocted the novelty song - ``You put your right foot in, you put your right foot out'' - in 1949 for the apres-ski crowd at Idaho's Sun Valley resort. By the mid-1950s, it had become an integral part of every American childhood.
But there may have been a touch of hanky-panky in the story of the Hokey Pokey.
After a newspaper story about the April 4 death of LaPrise and his role in the creation of the Hokey Pokey, several World War II veterans called The Associated Press. They had danced the Hokey Pokey in England in the closing days of the war, they said, well before LaPrise claimed to have invented it.
``I landed in England the first or second week of December 1943. The song was very popular in England at that time,'' said William G. O'Brien of Tigard, Ore., in a typical recollection.
``We danced that all the time over there,'' recalled another veteran, Anthony Elionfante of Wallingford, Conn.
Ruby, LaPrise's daughter, says the former GIs must be mistaken. She points out that her father and bandmates Charles Macak and Tafit Baker were granted the copyright for the song in 1950. All three are dead.
Of the servicemen, she says, ``They might have done a novelty dance similar to the Hokey Pokey, but the trio wrote it, and that trio didn't get together until after the war.''
But a December 1945 issue of Dance magazine appears to support the memory of the ex-GIs. In that issue, a Pvt. David Houser wrote about a new novelty song sweeping England, ``the Okey Cokey.'' It began, Houser wrote, like this:
``You put your left arm out, and your left arm in.
``You put your left arm out, and shake it all about.
``You do the okey-cokey and you turn about.
``And that's what it's all about.''
Houser added that the song ``continues with other parts of the anatomy, starting all over again when necessary, and ending when a majority of the group has become exhausted, hysterical or both.''
It is, of course, impossible to tell from the Dance magazine article what ``the Okey Cokey'' sounded like. But the lyrics are remarkably close to those in the LaPrise-Macak-Baker version.
Ruby says her father was an Army musician in France during World War II, but he had not learned the song at that time. She thinks he patterned it, after the war, loosely after a French ditty his French-Canadian father had sung.
So what is it all about?
In the 1945 Dance magazine article, Houser wrote that Americans think they hold the monopoly on novelty dances. ``Nearly always,'' he said, in an assertion that would hardly hold true today, ``England had 'em first.''
LENGTH: Medium: 67 linesby CNB