ROANOKE TIMES 
                      Copyright (c) 1996, Roanoke Times

DATE: Tuesday, April 30, 1996                TAG: 9604300048
SECTION: EDITORIAL                PAGE: A-5  EDITION: METRO 
COLUMN: Ellen Goodman
SOURCE: ELLEN GOODMAN


BOMBECK'S DELICIOUS SUBVERSION

IT WAS 1970 and I was a 20-something reporter in a rented car looking for a hill in Bellbrook, Ohio. My editor had sent me out to interview Erma Bombeck, this housewife-humorist, this anti-Heloise, this funny lady of the home pages.

I passed the RFD mailbox three times before I figured it out, and turned up the five-degree incline to the rambling white farmhouse. There at the top was a pond with large ducks and two dogs named Kate and Harry.

These were the first words that Erma Bombeck said to me: ``Come in, come in. Harry you stay out there, you've got bad breath. Please don't look at the mess, they're tearing apart the kitchen and there's this brown dust that settles everyday all over the house. You must be hungry but the hamburger is absolutely refusing to defrost. Take your coat off.''

It was vintage Erma Bombeck. She was the mistress of controlled chaos, the head of the house of absurdity. She was a warm and generous woman whose body gave out last week - so much sooner than her spirit.

On that distant March day, over bologna sandwiches and Bugles, over coffee from a percolator that sounded like John Henry's sledgehammer, she talked about mothering and loneliness, about deadline humor and deadly seriousness.

It was the height of the Vietnam War, and some reporter had asked how she was going to observe the day of protest. ``I told them I had three weeks of laundry I was going to do.'' Now she worried, ``Am I just sitting here writing a funny column while Rome burns?''

It was the beginning, too, of the women's movement and she said, ``I had a member of the Women's Liberation Movement write to me and say, 'Lady, you are the problem.'''

Erma Bombeck, the problem? I wonder now if that young feminist thought that after the revolution, washing machines would stop eating socks as a gesture of solidarity? Or husbands would stop watching football?

Erma Fiste, the daughter of a teen-age mother, was a reporter in the 1950s when newspaper women were few and far between. Later she would write that as a young mother at home in suburbia with three children, ``I hid my dreams in the back of my mind - it was the only safe place in the house. From time to time I would get them out and play with them, not daring to reveal them to anyone else because they were fragile and might get broken.''

She began to work again from home in 1964, just one year after Betty Friedan's book was criticized as the ranting of a neurotic and probably frigid woman. Bombeck's column was pegged - or dismissed - as ``housewife humor.'' But it was, in its own way, wonderfully, deliciously subversive.

When she started, suburban housewives were still pictured vacuuming in high heels in immaculate homes with perfect children. Erma Bombeck cracked open the feminine mystique her own way: with a sidesplitting laugh.

Her crack was a thousand wisecracks. Over the years, she wrote the truth about domestic life in all its madness and frustration, its car pools and appliances. She wrote to and about women who were, in the name of her column, ``At Wit's End.''

In the late 1970s, she went on the road to sell the Equal Rights Amendment in tandem with the redoubtable Liz Carpenter.

Later, this woman turned her heart and pen to children with cancer. She also shared those parts of her life that were not a laugh riot: her experience with infertility, her miscarriage, her breast cancer, the last fatal deterioration of her kidneys.

And whenever ``family values'' returned with grim seriousness, Erma Bombeck, wife of one, mother of three, was around to remind us about ``Family, The Ties That Bind ... And Gag.''

A lot of columnists write words to end up in the Congressional Record, or on the president's desk or at the Pulitzer committee's door. But Erma Bombeck went us all one better. Her words won her the permanent place of honor in American life: the refrigerator door. Now we are again at wit's end.

- The Boston Globe


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