THE VIRGINIAN-PILOT Copyright (c) 1994, Landmark Communications, Inc. DATE: WEDNESDAY, June 15, 1994 TAG: 9406150007 SECTION: FRONT PAGE: A16 EDITION: FINAL SOURCE: Medium DATELINE: 940615 LENGTH:
Mr. Wotjotowicz's contention that the building is ``. . . a big, blank, hulking mass with very little ornament'' implies two fallacious arguments: that good architecture excludes pure sculptural massing and that applied ornament is a basic requirement for good architecture. This kind of pedantic, unsupported criticism is unfair to both architects and the general public.
{REST} Modern architecture is often sculptural in nature. Nauticus, with its low, ponderous columns facing Waterside Drive, ever-changing angles meeting the sky, curved ``nose'' and tall, delicate columns facing the river offers a rich diversity of space both inside and out. Traveling around and through the building is a dynamic experience, with unusually shaped spaces, surprise views of the river and skyline, and an exciting confluence of water and land.
An ornament is an accessory that adds grace or beauty. During the day, the gray mass of Nauticus will rightly stand as a unique backdrop against which to view the flags, color and activities of ships in the river and festivals in Town Point Park; at night, multicolored lasers will dance along its length. If Mr. Wotjotowicz feels that applied stone dentils, wood gingerbread and terra- cotta cornices are the only way to ornament a building, he is mistaken.
By using the forum given him to belittle and sneer at Nauticus rather than to provide carefully considered and insightful criticism, Mr. Wotjotowicz has missed an opportunity to introduce the public to academic architectural thought.
KURT A. FLECHTER
Portsmouth, June 1, 1994
by CNB