The Virginian-Pilot
                             THE VIRGINIAN-PILOT 
              Copyright (c) 1995, Landmark Communications, Inc.

DATE: Tuesday, January 31, 1995              TAG: 9501310059
SECTION: DAILY BREAK              PAGE: E9   EDITION: FINAL 
SOURCE: BY RICKEY WRIGHT, STAFF WRITER 
                                             LENGTH: Medium:   52 lines

LAUDERDALE GRATEFUL FOR ROCK, COUNTRY INFLUENCES

HOW MANY albums can claim liner notes with references to both George Strait and Captain Beefheart?

Thanks to Jim Lauderdale, there's at least one: His 1994 ``Pretty Close to the Truth.''

``I wanted to thank George Strait because he's recorded so many of my songs,'' said the singer/song writer, who will open for Nick Lowe on Wednesday night at the Nsect Club.

As for Beefheart, the creative force behind uncategorizable discs such as ``Trout Mask Replica'' and ``Shiny Beast (Bat Chain Puller),'' Lauderdale said: ``I think that he's like one of the great geniuses of our time. I feel like I owe him some thanks; he's been such an inspiration.''

``Pretty Close'' doesn't sound much like Beefheart, but it's easy to understand how Beefheart's unfettered creativity could affect Lauderdale. The record marries Buck Owens and Marshall Crenshaw influences to a sensibility that's definitely not shy, and often even wild-eyed. By the final cut, ``When the Devil Starts Crying,'' Lauderdale is hollering a testament to the ghosts of the blues while his band shoots out all the lights in the barroom.

It's a mixture that hasn't sold many records - yet - but has earned much critical acclaim. Spin magazine and USA Today both named ``Pretty Close'' among the 10 most unjustly ignored releases of the year.

``I kind of feel like things are just taking off for the album,'' Lauderdale said by phone from his California home. ``There was a limited pressing of the album at first, so that not too many stores had copies of it. I was playing places and not finding it; that's frustrating.''

Now Atlantic Records has put more CDs on the racks, and Lauderdale is continuing what he foresees as three years of nonstop touring. He's a favorite of some people at the label, including executive Tom Carolyn, who's responsible not only for Lauderdale's being there, but Stone Temple Pilots, Lemonheads and the ``Crow'' soundtrack as well.

Lauderdale has built up plenty of Nashville credibility, too. Strait's cuts of a half-dozen of his tunes, as well as tracks by the likes of Mark Chesnutt and Carlene Carter, have contributed to the financial well-being that allows him to pursue other audiences.

His goal: ``Just to make music that you really enjoy. I think if you enjoy it, other people will, too.'' ILLUSTRATION: Photo

Jim Lauderdale is on tour for new album.

by CNB