Current Editor: Chris Merrill, firstname.lastname@example.org
Previous Editors: Mark Sanders 1989-1997; James LaPorte: 1997-2010
As an open access journal, the JTE does not charge fees for authors to publish or readers to access.
A Perspective of Technology Education in Taiwan, Republic of China Lung-Sheng Lee A BRIEF REVIEW OF TAIWAN'S EDUCATIONAL SYSTEM The Republic of China was founded in 1911 and moved its seat of government from mainland China to Taiwan in 1949. Situated in the far western Pacific, Taiwan covers an area of 36,000 square kilometers (about .38 percent of the area of the USA) and has a population of 20 million. Its population density--556 persons per square kilometer--is one of the highest in the world and is over 20 times the population density of the USA. The absence of rich natural resources man- dates that the Taiwanese workforce be highly productive in order that industry may be com- petitive; hence, a comprehensive educational system is needed to effectively develop pro- ductive abilities of the dense population. The core of today's educational system in Taiwan (see Figure 1) is the nine-year compulsory national education program ("Kuo Ming Chiao Yu"). This includes a six-year elementary school and a three-year junior high school. Beyond these schools are two parallel three-year institutions--a senior high school and a senior vocational school. Junior college education assumes three pat- terns: two-year, three-year, and five-year programs. University programs last four to seven years, depending on variations within departments. Technical colleges offer two kinds of program: a two-year program for jun- ior college graduates and a four-year FIGURE 1. Structure of the educational sys- tem. NOTE: From Ministry of Education, 1989a, p.9. program for senior vocational school gradu- ates. At the graduate level, the minimum length of study for a master's degree is two years, with an additional two years as the minimum required to earn a doctorate. En- trance examinations are required for admis- sion to schools beyond the level of the nine-year compulsory education (Lin, 1985). In the 1988-89 school year, the percent- age of children of elementary-school age en- rolled in school was 99.9 percent; the percentage of elementary-school graduates en- tering junior high school was 99.1 percent; the percentage of junior high graduates en- tering senior secondary school was 79.5 per- cent, and 45.5 percent of senior secondary graduates advanced to higher education (Ministry of Education, 1989b). CURRICULUM IN TRANSITION In Taiwan, curricula for elementary, junior high, and senior high schools are promulgated by the Ministry of Education. Curriculum standards for all levels of school are revised about every 10 years. Revision is made by subcommittees. The members, ap- pointed by the Ministry of Education, are curriculum specialists, teacher educators, classroom teachers, and administrators. According to current junior high and senior high curriculum standards(1) (Ministry of Education, 1983a & 1983b), which were promulgated in July 1983 and have been imple- mented since August 1984, students in grades 7 to 11 must select either industrial arts ("Kung I"), or home economics with a two-hour weekly study (a regular week is 32 to 39 hours). Schools usually assign boys to in- dustrial arts programs and girls to home eco- nomics. Some elective courses pertaining to industrial arts, like drafting, metalworking, and electronics shop, are also provided at both junior and senior high levels, but they are more vocational-oriented (characterized by "learning for earning") than the required industrial arts (characterized by "learning for living"). As shown in Tables 1 (Ministry of Educa- tion, 1983a) and 2 (Ministry of Education, 1983b), the objectives and content of indus- trial arts education in Taiwan is undoubtedly industry-based and technology-oriented. Its curriculum focus is in transition from tradi- tional industrial arts to contemporary tech- nology education and its content categories ---------------- 1 At the elementary level, industrial arts is a component of the broad-study subject "craft work" which consists of drawing, sculpture, design, industrial arts, horticulture, and home-making. seem to mix broad occupational areas (like woodworking) with industry clusters (like the manufacturing industry). TABLE 1 A SUMMARY OF THE OBJECTIVES AND CONTENT OF JUNIOR-HIGH INDUSTRIAL ARTS CURRICULUM IN TAIWAN ------------------------------------------------------------------- Objectives Content (allocated weeks) ------------------------------------------------------------------- 1.To help students to understand 1. Introduction to traditional and contemporary Industrial Arts (2) industrial civilization 2. Blueprint Reading and recognize their local industrial Planning (6) status and trends. 3. Ceramics Shop (5) 2.To provide students with career 4. Woodworking (15) exploration opportunities to 5. Plastics Shop (5) discover their interests and 6. Metalworking (15) abilities in the field of 7. Electricity Shop (7) industrial technology 8. Graphic Communi- 3.To develop students' necessary cation (4) knowledge, skills, and attitudes 9. Construction and for living in the industrial Livelihood (9) society. 10. Manufacturing Industry 4.To foster students' cooperative (12) industrious, gregarious, and 11. Information Industry enthusiastic personalities. (6) 5.To develop students' consumer 12. Audio-visual skills and knowledge. Communication (7) 6.To foster students' habits 13. Energy and Power (7) to coordinate doing and think- ing and ideas about dignity and equality in working. -------------------------------------------------------------------------- The implementation of industrial arts curriculum standards has led to the following supportive efforts: o Industrial Arts Equipment Standards are promulgated by the Ministry of Education after each curriculum standard revision to set up the minimum requirements of in- dustrial arts facility and equipment. o Junior-high industrial arts textbooks are compiled and printed by the National In- stitute of Compilation and Translation, an institution of the Ministry of Educa- tion. Commercial senior-high industrial arts textbooks also have to be approved by the institute. TABLE 2 A SUMMARY OF THE OBJECTIVES AND CONTENT OF SENIOR-HIGH INDUSTRIAL ARTS CURRICULUM IN TAIWAN -------------------------------------------------------------------- Objectives Content (implemented grade) -------------------------------------------------------------------- 1.To introduce students to 1. Project Planning and industrial technology knowledge Drafting (grade 10) and foster industrial skills 2. Industrial Materials for their industrialized living (grade 10) and advanced studies. 3. Energy Industry (grade 2.To ignite students' interests 10) of design and creation, provide 4. Information Industry them with career exploration (grade 11) opportunities in the field of 5. Automation (grade 11) industrial technology, and encourage them to do research and invention. 3.To develop students' appropriate working habits and attitudes. --------------------------------------------------------------------- o Sponsored by the Ministry of Education or the departments/bureaus of education in provincial/special municipal governments, a variety of in-service teacher training programs are provided for industrial arts; almost all the enrollments of these training programs are free of charge. o Through the recognition of outstanding industrial arts teachers, the annual con- vention, publications, etc., the Chinese Industrial Arts Education Association de- votes its energies to the improvement of industrial arts education at all levels. o The JOURNAL OF INDUSTRIAL ARTS EDUCATION, edited by the Department of Industrial Arts Education at National Taiwan Normal University, is disseminated monthly, free of charge, to secondary schools and other institutions pertaining to industrial arts education. o Funded by the Ministry of Education or the departments/ bureaus of education in provincial/special municipal governments, serial publications and teaching aids are often provided for industrial arts teach- ers. o An industrial arts consultative team, composed of industrial arts teachers, supervisors, and principals, is organized at every county and city to serve junior high industrial arts teachers. o The yearly industrial arts project exhi- bition and/or student contest is/are re- spectively held at county/city and province/special municipality levels. There are two university departments of industrial arts education in Taiwan, one at the National Taiwan Normal University and the other at the National Kaohsiung Normal Uni- versity. Each provides both pre-service and in-service secondary school teacher training programs. In terms of the pre-service pro- gram, students are admitted following suc- cessful performance on the yearly College Joint Entrance Examination (CJEE) adminis- tered to graduating senior-high students. During their five-year period of study in the program, students enjoy a four-year tuition waiver and living expenses in their universi- ties. One additional year is spent in sec- ondary schools in a teaching internship. In recent years, there have been around 100 graduates annually from these two departments of industrial arts education. Faculty mem- bers in these two departments have plenty of chances to devote themselves to a variety of efforts to improve industrial arts education. PROBLEMS FACING TECHNOLOGY EDUCATION A problem refers to "a significant dis- crepancy between an existing degree or amount of a characteristic ['to be' or the actual] and a preferred degree or amount of that characteristic ['ought to be' or the ideal]" (Friedman, Brinlee, & Hayes, 1980, p. 16). Today's industrial arts education in Taiwan has the following problems which are listed in a descending order of priority. INDUSTRIAL ARTS IS SEEN AS A SUBORDINATE SUB- JECT Since both the entrance examinations for senior high school and college/university ad- missions are very competitive(2) and indus- trial arts is not included in the required subjects for these examinations, most par- ents, principals, teachers, and even students in secondary schools see industrial arts as a subordinate, unworthy subject. THE PUBLIC'S PERCEPTIONS ARE NOT ALIGNED WITH THE FIELD The current name of industrial arts "Kung I" was translated from American "indus- trial arts" in the 1950s, but the term "Kung I" has been used in Chinese society for thou- sands of years. "Kung I", in early Chinese language, referred to polytechnic or technol- ogy, but, has been widely seen as the equiv- alent of handicraft after the introduction of western ways into China at the turn of this century. Hence, it is difficult for profes- sionals in the field of industrial arts edu- cation to communicate the ideas of this field to the public. Coupled with the public's perceptions, the educational administrators admitted nu- merous personnel who majored in fine arts or related disciplines to be QUALIFIED indus- trial arts teachers in the late 1960s. Many of these so-called "industrial arts teachers," especially those who have been un- willing to attend in-service teacher training programs, have opposed the development of technology-oriented industrial arts educa- tion. SOME DRAWBACKS EXIST IN THE PROMULGATION OF CURRICULUM STANDARDS Based on Lee's studies (1986, 1987, & 1988), some drawbacks of the centralized in- dustrial arts curriculum standards have been identified: ---------------- 2 In 1988, for example, 112,327 applicants took the College Joint Entrance Examina- tion (CJEE) and only 37,929 (33.76 per- cent of the total applicants) were admitted to one of the day-session pro- grams in colleges or universities. o The revision interval is too long, so the standards are unable to promptly reflect social changes. o The standards lack flexibility, so they are unable to meet differences in school districts and students. o Its decision-making process is too teacher educator-oriented. o Its process leans toward an arbitrary judgment because few related professional inquiries such as situation analysis, ex- periments, and follow-ups have been done. MANY TEACHERS DEVIATE FROM THE CURRICULUM STANDARDS Admittedly, the implementation of cur- riculum standards mainly depends upon the teacher's instruction. It is evident that industrial arts teachers' instruction in Taiwan has widely deviated from the ideal curriculum prescribed by the curriculum standards. The deviation could be a desira- ble modification based upon critiques of the curriculum standards, but unfortunately al- most all deviation has led in a worse direc- tion (Lee, 1987). The two predominate factors to cause the deviation are: TEACHERS' INDIFFERENCE. As mentioned above, industrial arts has not been a subject required by the entrance examinations of sen- ior high schools and colleges/universities. Lacking serious supervision and desirable ex- pectations, many industrial arts teachers are dull or unable to reflect curriculum change in their teaching. Especially, the thirteen sub-categories of junior high industrial arts curriculum, mixing broad occupational areas with industry clusters, are really too great to be managed well. TEACHERS' OVERLOAD. At present, each industrial arts teacher is confronted by large class sizes, averaging 46 students, and about 23 teaching hours per week (more than the hours of most teachers teaching other subjects). The overload leads them to often "cut the feet to fit the shoes," i.e. trim instructional activities to what they can handle. When industrial arts had its name changed from "Arbeit" (German word meaning "work") in the early 1960s, Wang (1960), who was the director of the Department of Second- ary Education, Ministry of Education and in charge of curricular revision for secondary schools at that time, cited the following Chinese fable to claim the appropriate posi- tion of industrial arts in general education. In the past, an expert in general edu- cation, who thought the 3R's--READING, WRITING, and ARITHMETIC were the whole of general education, hired a boat to pass a river. While the boat was crossing the river, he chatted away to the boatman. First, he asked, "Can you read?" The boatman answered, "No." He told the boatman, "You lost one third of your life." He then asked if the boatman could write; the boatman's an- swer was also negative. "You lost two thirds of your life.", said the expert. After a moment, the boat was in the middle of the river and the wind made the boat pretty unstable. The boatman asked the expert, "Can you SWIM?" The expert answered, "No" with fear. The boatman complacently said, "If the boat turns over, you will lose the whole of your life." (p. 9) The fable indicates that descriptive, prescriptive, and formal knowledge (which can be linked to the 3R'S) is not sufficient learning for general education; praxiological knowledge (which can be linked to SWIMMING) has to also be offered in schools (Towers, Lux, & Ray, 1966). Admittedly, since indus- trial arts education in Taiwan was greatly influenced by the USA in the 1950s,(3) it has appropriately been seen as an action-based study of functional literacy (like swimming in the above fable) in general education. Owing to the preceding problems, however, in- dustrial arts education is still "swimming up stream." ---------------- 3 In 1953, under some American specialists' assistance, the Department of Industrial Education at Provincial Taiwan Normal College (now National Taiwan Normal Uni- versity) was founded in Taipei, Taiwan. Since that time, American industrial arts theory and practice has been widely in- troduced into Taiwan through frequent ex- changes of Sino-America professional personnel and literature. FUTURE EFFORTS: FOCUS ON CURRICULUM CHANGE In accordance with the plan to extend the nine-year compulsory national education to 12 years in the 1990s, the industrial arts curriculum standards are expected to be re- vised in the coming two years and the stu- dent's formative performance on all subjects in junior high school could be considered as the criteria to admit him/her to his/her pre- ferred senior high or senior vocational school. This appears to be a good opportu- nity for professionals in this field to re- name industrial arts, develop a progressive philosophy, reconstruct industrial arts cur- riculum, and win the public's support for in- dustrial arts education. SUMMARY Under a centralized strategy, industrial arts education in Taiwan is required for stu- dents (mainly, boys) in grades 7 to 11. In the process of transition and characterized by the industrial-base and technology- orientation, current industrial arts curric- ulum mixes traditional "industrial arts" with contemporary "technology education." Although a variety of support from gov- ernmental institutions for industrial arts education is evident, today's industrial arts education in Taiwan is still struggling with many problems which are mainly caused by the public's weak support. It is anticipated that the coming curriculum standards revision may effect a profound improvement upon indus- trial arts education. ---------------- Lung-Sheng Lee is Associate Professor, De- partment of Industrial Arts Education, Na- tional Taiwan Normal University. He wishes to thank Dr. Michael L. Scott and Dr. E. Keith Blankenbaker for their comments on an earlier draft. REFERENCES Friedman, M. I., Brinlee, P. S., & Hayes, P. B. D. (1980). IMPROVING TEACHER EDUCATION: RESOURCES AND RECOMMENDATIONS. New York: Longman. Lee, L. S. (1986). A HISTORICAL STUDY OF THE DEVELOPMENT OF JUNIOR-HIGH INDUSTRIAL ARTS CURRICULUM IN TAIWAN, REPUBLIC OF CHINA. Taipei, Taiwan: Chinese Industrial Arts Education Association. Lee, L. S. (1987, December). A critique of the promulgation and implementation of in- dustrial arts curriculum standards. JOUR- NAL OF INDUSTRIAL ARTS EDUCATION, 20(12), 17-21. Lee, L. S. (1988, February). A cursory sur- vey of the status of junior-high indus- trial arts curriculum standard implementation. JOURNAL OF INDUSTRIAL ARTS EDUCATION, 21(2), 2-8. Lin, C. J. (1985). Republic of (Taiwan) China: System of education. In T. Husen & T. N. Postlethwaite (Eds.), THE INTERNA- TIONAL ENCYCLOPEDIA OF EDUCATION, 705-708. New York: Pergamon. Ministry of Education. (1983a, July). Junior-high industrial arts curriculum standard. In JUNIOR-HIGH CURRICULUM STANDARDS, 441-516. Taipei, Taiwan: Au- thor. Ministry of Education. (1983b, July). Senior-high industrial arts curriculum standard. In SENIOR-HIGH CURRICULUM STANDARDS, 801-839. Taipei, Taiwan: Au- thor. Ministry of Education. (1989a). EDUCATION IN THE REPUBLIC OF CHINA. Taipei, Taiwan: Author. Ministry of Education. (1989b). EDUCATIONAL STATISTICS OF THE REPUBLIC OF CHINA. Taipei, Taiwan: Author. Towers, E. R., Lux, D. G., & Ray, W. E. (1966). A RATIONALE AND STRUCTURE FOR IN- DUSTRIAL ARTS SUBJECT MATTER. Columbus, OH: The Ohio State University. Wang, Y. C. (1960). The position of indus- trial arts in the secondary curriculum. EDUCATION AND CULTURE, (248), 7-10. Permission is given to copy any article or graphic provided credit is given and the copies are not intended for sale. Journal of Technology Education Volume 2, Number 1 Fall 1990